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The song may also lament the loss of a loved one (especially a fair female). Numerous Caoineadh tunes have their roots/basis in The Troubles of Northern Ireland with particular reference to the existence of the British military throughout this period. Examples of Caoineadh tunes include: Far Away in Australia,, Returning to Donegal and 4 Green Fields.
Dance music [edit] Irish traditional music and dance has seen a variety of settings, from houseparty, nation dances, ceili dances, stage performances and competitors, weddings, saint's days or other observances. The most common setting for Irish dance music is the, which extremely typically includes no dancing at all. Repertoire [edit] Traditional dance music includes reels (or ), hornpipes (with swung eighth notes), and jigs (double and single jigs remain in time).
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Later additions to the repertoire consist of the waltz (with a heavy accent on the down beat) and, in Donegal, mazurkas in the same time signature, though with an accent on the second beat. Donegal is likewise notable for its "highland," a sort of Irish version of the Scottish strathspey, but with a feel better to a reel with the occasional scots snap.
Another unique Munster rhythm is the Slide in time. The concept of "design" is of large significance to Irish standard musicians. At the start of the last century (1900 ), unique variation in local designs of efficiency existed. With the release of American recordings of Irish conventional musicians (e. g. Michael Coleman 1927) and increased communications and travel opportunities, local designs have actually become more standardised.
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g. Tommy Peoples), Clare (e. g. brothers John & James Kelly) and Sliabh Luachra (e. g. irish jewelry ). Donegal fiddle playing is characterised by quickly, energetic bowing, with the bow creating the bulk of the ornamentation; Clare fiddle playing is characterised by slower bowing, with the fingering creating the majority of the ornamentation.